EASTER VIGIL
HOMILY OF CARD. JAMES FRANCIS STAFFORD
North
American College Chapel
Holy Saturday, 15 April 2006
Surrounded by darkness we wait and listen. It is our Easter Vigil.
Contemporaneous with the vigil, peoples in New York, Dublin, Paris, London and
Tokyo are celebrating the centennial of the birth of a man who wrote what is
arguably the most influential play of the 20th century, Samuel
Beckett. His birth-date in Ireland on April 13th, 1906, marked his
identity forever, for it was a Good Friday. Like so many of his generation,
although baptized into Christ as a child, Beckett became an atheist. However,
he remained a Christ-haunted man until his death in 1989.
Beckett wrote about waiting. In fact, his Waiting for Godot is among the
century’s most famous plays; it explores the uniquely modern boredom of
life-long waiting in vain. He was inspired by the painting of Caspar-David
Friedrick’s Two Men Contemplating the Moonrise still on view in Berlin’s
Schloss Charlottenburg.
Beckett’s play contains useful insights for 21st century seminarians.
Among other things, he shares with St. Mark the subtle magnetism of a literary
reserve. The first evangelist surprisingly ends his Gospel with the women
standing within Jesus’s empty tomb and being seized with “trembling and
astonishment.....They said nothing to any one, for they were afraid;”. Mark’s
final punctuation is equally reserved - a semi-colon.
Like St. Mark’s ending and indeed like his entire Gospel, Beckett resisted the
demands of a crude optimism. Having participated in the II World War and then
experienced the Holocaust through photos and films, he saw our condition as
many others do. Humans are divided from themselves. While enduring the random
cruelty of existence, they do not understand it and are condemned to live it.
For him the human body is disembodied, broken, imprisoned, isolated, and absent.
His view of the the body is far from seeing it endowed with a Eucharistic
dignity. His pervasive nihilism is rooted in Schopenhauer, Nietzsche and
Heidegger, the high fathers of postmodernism.
In his Waiting for Godot the following is a typical dialogue
between two tramps on a country road. Standing and peering beneath a leafless
tree and a full moon, Estragon asks: “Do you see anything coming?” Vladimir
responds, “No.” They resume their vigil in a state of forgetfulness and
hopelessness. Beckett means their silence to be metaphysically unbounded.
Dear Seminarians , you are waiting in this Easter Vigil. Your contemporaries in
the 21st century in the Western world, in Japan and elsewhere will
frequently ask you in the future, “During your waiting, your annual vigil, do
you ever see anything coming?” Tonight I anticipate their question and ask
you, “What are you waiting to see or hear? Why do you wait long hours in the
night? Are you expecting something? Whom are you anticipating beneath the
first full moon of Spring?”
These questions or their equivalent are everywhere confronting Christians. I
will attempt some answers. Emphatically I insist that we are not waiting for
Godot. Our watch cannot end by simply affirming the aesthetics of the staging
or such like. You and I await for Someone in this vigil. We await in faith the
coming of the Spirit of the Father and the Son. It is within the drama of
waiting that God’s true glory, truth and goodness will be disclosed to us.
While it was still dark the Spirit of holiness first revealed the resurrection
of Jesus (cf. Jn. 20: 1; Rom. 1: 4). The risen Jesus our Lord is the final
realization of God’s justification of creation. “It was reckoned to us who
believe in him that raised from the dead Jesus our Lord, who was put to death
for our trespasses and raised for our justification.” (Rom 4: 22-25). So unlike
Beckett, we must jettison the burden of the ennui of postmodern adults and enter
fully into the drama of awaiting in faith the event of divine freedom.
Our faith teaches that the Holy Spirit himself is the glorification of the love
between the Father and Son. The Holy Spirit alone can bring about during this
night-vigil our glorification and the glorification of the world. For the Spirit
is the Love-Person in the Trinitarian God. But only a childlike person is open
enough to discover the loving tenderness of God’s Spirit. He was first revealed
in the incomprehensible distance of the Son’s abandonment by the Father and its
abolition by the Son’s return to the Father. It was the love of the Holy Spirit
who brought about both the Trinitarian distancing and its abolition.
The Spirit of Truth alone can bring those within who now stand
outside waiting. When we are brought inside the truth of the Spirit by faith,
we necessarily become participants in an absolutely new, eschatological event.
During this night-vigil we pray that our community may realize the petition of
Jesus to his Father, “Father, I desire that they also, whom thou hast given
me, may be with me where I am, to behold my glory which thou hast given me in
thy love for me before the foundation of the world”. (Jn. 17: 24). Jesus’s “I
desire” is uttered within a prayer. This prayer does not directly concern his
own glorification, but rather the participation of his disciples, whom the
Father has given him, in the glory which his Father has given him before time
began. Finally, we should pray for faith tonight that the Spirit may teach us
that Jesus’s vicarious death has not alienated us from ourselves but relieved
us of a burden that was foreign to us. “He died for all, so that those who
live might live no longer for themselves” (2 Cor. 5: 15).
We celebrate the night in song. In the Exsultet the deacon reminded us
four times that “This is the night....” “The most blessed of nights...” “The
power of this night dispels all evil....” St. John of the Cross describes the
night as noche oscura; for him ‘night’ is an expression of the divine
transcendence and of faith. Charles Peguy’s ‘night’ is God’s dark-eyed daughter
enshrouded in a great mantle; she is God’s loveliest creation. Night is the
creature of the greatest hope. Children know it as God’s young Hope. For Peguy
night is finally the calming, restoring, enveloping, nourishing, soothing veil
that descended upon the dreadful day-light drama of Good Friday. It was the
night when God withdrew from the terrible day for it was the day in which the
Father heard the cry of his Son on the Cross which will never fade.
But in the third millennium we cannot escape from the other night, the night of
the two men in Waiting for Godot. It is the night all postmoderns are
familiar with. It is a night of slavery to boredom in which life is seen as
short and brutal, mostly characterized by disarray, pain and unhappiness. It is
the night in which “The Lessness” of life is advanced as beauty. Beckett writes
that life in such a night is like “a light which comes upon a pile of garbage;
one hears the cry of a baby; the light goes out.” Drama is absent from such a
life.
Last Saturday night in Split, Croatia I heard of a postmodern miracle in the
night. It took place in a totalitarian prison. Before his imprisonment during
the 1990's Balkans war a young Croat journalist had been an atheist. While in
prison, he found Christ. Shortly thereafter he was murdered by the Serb
government. In a posthumously published play he revealed that while awaiting
death , he found Christ. His concession fidei was short and dramatic,
”My sense is that life is always dying into Christ.”
The promise of our pascal-night vigil is the same: the triumph of our faith and
God’s love over death. To welcome Easter love requires a childlike poverty.
The child is naturally open to the mystery of love. But he grasps love only
after he knows that he has been grasped by it. So in the darkness of this
Easter Vigil, we call upon the Spirit of holiness to make us one with the
filial poverty of Jesus. The Son sought only the honor and glory of his Father,
not his own. He allowed himself to be robbed of everything in utter obedience.
His utterly child-like obedience is the exact expression of the divine fullness,
which does not consist in ‘having’ but of ‘being-given’. The pattern is the
same for us, his disciples. “Every perfect gift is from above” (James 1: 17).
We await the Spirit. He alone instructs us through the paschal mystery that
“gratitude for the gift is shown only by allowing it to bear fruit” (Meister
Eckhart).
J. Francis Cardinal Stafford
Major Penitentiary